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Copyright © 1998, 1999 Nihon Victor / Tatsunoko Pro






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—by Eric "Scanner" Luce
One common genre of anime is the
person-who-transforms-into-a-super-being/monster. Frequently this
ability does not come from choice either so, right off, we have a
formula that provides us action, suspense, and even some angst. Add in
some mystery and a love interest and you have a story ready to
sell. Well, except that this formula has been done to death in the
past 20 years or more. What makes GENERATOR GAWL worth watching if
you have seen that already? Ordinarily, not much, but this series may
surprise you. The attraction is in how the directors have broken up
the characters and their roles as well as the setting itself. Plot threads
were established early and in such a way that makes one want to watch more.
Towards the end of the series it gets nothing
less than intense because of the involvement you feel towards the
characters.
After the catchy opening animation, GAWL
begins with Masami in her room playing a video game as the weather
report plays on the TV. Her mother interrupts her game playing to get
her to see to the guest room that they are going to rent out. Outside
the wind is blowing very strongly and Masami sees a strange light in
the distance followed by a stroke of lightning. Elsewhere in the city
two people also see the lightning and comment that it is beginning.
The next morning as Masami is getting ready to go to school, her mother asks
her to help around at the house after she is done with her part-time job. Masami
objects, since she may have something to do with her friend, Natsume. As
Masami rushes off she passes Kouji, Ryou, and Gawl, all dressed in unusual
costumes. Ryou sees Masami and comments "That must be a girl."
Gawl does not really care about girls but complains continuously of
hunger. However he is easily distracted by seeing a stream full of
clear water! Gawl quickly finds out where the nearest station would be
making one old lady think that he is a foreigner. Kouji cautions Gawl
not to attract the police. As the trio wanders through the city Kouji
observes from a newspaper that it is September of the year 2007. They
only have three months instead of a year.
As Ryou taps into a computer network, Gawl wanders off and ends
up drooling in the window of a fast-food restaurant. Inside Masami,
who works there, notices Gawl and accuses him of being a pervert. Gawl
and Masami immediately hit it off (ie: hate each others guts) and this
is not improved by Masami summoning the police to arrest this pervert.
Things only look like they are going to get worse for the trio as the
manufactured identities and the place that Ryou has rented for them
over the network to stay ends up being at Masami's home.
During this whole escapade there are flashbacks to their last battle
as they fled some monstrosity only to finally rely upon Gawl changing
into his generator-form in order to defeat the beast. For some reason
Ryou seems to really want Gawl not to transform, as if there were some
danger in doing so.
The viewer can see the setup immediately—Gawl and Masami as romantic
interest. Gawl, Ryou, and Kouji having traveled in to the past to
accomplish something and now they have only three months instead of
the expected one year. We have people already in this present who know
they are there as well. Where did they come from that makes them think the
sight of a girl, clean water, or a room full of flowers is unusual? What are they
trying to prevent? Why is Ryou so worried and troubled? Why does Ryou
worry even more when Gawl uses his ability?
The animation itself is decent but overall on average with what one
would expect from a TV series. Some of the action sequences are very
well animated. The viewer gets a real feeling of tension in
battle. Luckily, even though the apparent frame rate varies a lot
based on the scene the details are not dropped. Where characters are
placed, whether they have a smirk, a scowl, or a timid smile are all
important and you get a good feeling for place and person. The
character designs are simple, yet not plain. Thankfully, each character is
distinct enough as to be easily identified no matter the lightning or situation.
Although GENERATOR GAWL is not the best title on television in Japan, it is
definitely a contender. It is also better than many shows in its genre.
GAWL
is worth watching for a couple of episodes to see if you can become
entangled in the lives of these
strangers. 
6 volumes, each volume 50 minutes
LD Vol. 1 - JVLA58035, VCT S-1 - VVAS1075 Available Now
LD Vol. 2 - JVLA58036, VCT S-2 - VVAS1076 Available Now
LD Vol. 3 - JVLA58037, VCT S-3 - VVAS1077 Available Now
LD Vol. 4 - JVLA58038, VCT S-4 - VVAS1078 Available 4/7/99
LD Vol. 5 - JVLA58039, VCT S-5 - VVAS1079 Available 5/1/99
LD Vol. 6 - JVLA58040, VCT S-6 - VVAS1080 Available June 1999
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